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Today, he may be the hardest working man in photography. Wesley Bunnell shoots your kid’s heartbreaking championship game, the town’s fourth of July parade, the cloud of cherry blossoms in bloom at Wooster Square, soft mist over the water in Branford, anything and everything that’s photoworthy and some subjects that you wouldn’t think are photoworthy but that, with his poetic eye, he makes so. Wesley is the chief of photography for Shore Publishing, a group of seven local newspapers between the Connecticut and Quinnipiac rivers. Chief of photography is a grand title but really he’s pretty much a one-man band. I met him this past summer at an art fair where I was exhibiting and he was on the job, and busy as he is, he agreed to a chat for Open Studio. You can get a sense of Wes’s work at his website, wesleybunnell.com. As you’ll hear in our interview and see from his photos, he likes finding interesting juxtapositions, and, as a self-described introvert who enjoys meeting people, he’s something of an interesting juxtaposition himself. All I can say is, his heart is in it.

Oh, and if you enjoy this kind of programming — and really, where else are you going to find it but at WESU? — please donate during our current pledge drive by clicking here and giving what you can. It’s you who put the community in community radio! Thanks!

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If you’re listening to a radio show about art, it’s a safe bet you know who Jerry Saltz is. He’s an author and New York magazine’s senior art critic. He won the Pulitzer Prize for criticism in 2018 for his essay, “My Life as a Failed Artist” and his first book, in 2020, was How To Be An Artist. His Instagram account has 581,000 followers, of which I am the most avid.

His latest book, a collection of his criticism, is called Art is Life: Icons & Iconoclasts, Visionaries & Vigilantes, & Flashes of Hope in the Night.

This episode is a recording of his talk, sponsored by House of Books, a small bookstore in arty Kent, CT. Largely directed to artists, it offered Jerry’s down-to-earth, tough-love motivational advice (after all, how hard can it be to make our [expletive deleted] mediocre work?); his views on art, of course, and his personal history (he drove a truck and has no formal art training). He also threw in a few mean impressions — of thinking David, by Michelangelo, and active David, by Bernini — and their significance to art history.

Mensch that he is, Jerry even bought the audience pizza. Everyone left smiling.

Thanks to Jerry and to House of Books for letting me record the talk.

The last thing I’ll say is that, like independent bookstores, and like artists,  community radio depends on the support of people who love those things, which add so much to life. Please, during this, WESU’s fall pledge drive, give what you can by clicking here. Thanks!

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Today, a blast from my Rhode Island past. More than two decades ago, when I was a reporter in Providence, I knew a writer named Carol Bonomo Albright and she crossed my radar recently to let me know she’d gotten a novel published. It features a plot element about art – the art of 17^th century painter Artemesia Gentilleschi. If the name is familiar it may be because the Wadsworth Atheneum put on an exhibit of her work not long ago, and I toured it for Open Studio with my art historian friend Fran Altvater. I’ll put a link to that episode on the openstudioradio.org blog post. But back to Carol. She didn’t even know I had this radio show but of course I invited her on. Our conversation touched on Carol’s writing life, the novel – Hold Up The Head of Holofernes – and how art heals the three main characters. She reads three sections of the book, each set in a different time period, and we even had enough time to touch on Carol’s growing up in New York’s Greenwich Village. It’s a yeasty episode about art and writing. You’re going to enjoy it.

Mentioned in the episode: Caravaggio’s Judith beheading Holofernes, left, and Gentileschi’s. Which do you favor?

A link to the discussion of the Wadsworth Atheneum’s traveling Artemesia Gentileschi exhibit

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Today, in the spirit of the season, we tour a Stafford Springs, CT, shop that designs, carves, and sells magic wands. Harry Potter fans especially, take notice! Are these lovely carved sticks really magic? you ask.

Well, it was a certain kind of magic that compelled Ed Bareiss to pay attention when, a little more than 10 years ago, the parents at his daughter Hillary’s birthday party marveled at the dozen or so wands he’d made as party favors and urged him to start selling them.

Fast forward to today when Orchard Works Magic Wands is an international business that’s about to have two locations in tiny, out-of-the-way Stafford Springs, and that sells all over the country at loads of comic con style events, with buyers including some way cool celebrities you younger listeners will recognize.

That birthday girl Hillary, by the way, is now a student at Hartford Art School, which is how I met her and learned about the family’s magical business. Ed tells the whole story and give us a tour.

You can access the shop at orchardworksCT.com and orchardworksCT@gmail.com.

Oh, and BOO!

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Paul Baldassini uses the same techniques as Peter Paul Rubens to paint his close-up “portraits” of flowers he shoots with a highly technical digital camera

Below, a visit to my genius neighbor’s studio.

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Welcome to the first Open Studio episode of the new WESU-FM season!

Last September, I did an episode about the graphic novel featuring interviews with two professors who teach the form. Because there’s so much to the graphic novel — and because I’ll be teaching a course in it for the first time at the college where I teach, the University of Hartford’s Hillyer College, I thought we’d revisit the subject.

Graphic novels, for those unfamiliar with the term, take the comic book into the deep end of the pool. One graphic novel you may have heard of is Art Spiegelman’s Maus, set in Nazi Germany. Another is Alison Bechtel’s Fun Home, which was made into a Broadway musical.

As with last year’s guests, both of today’s, interviewed via Zoom, have developed creative approaches to reading, analyzing, and even creating graphic novels.

Prof Patrick Gonder, left, teaches at the College of Lake County in Illinois and Rocco Versaci teaches at Palomar College in California. Both specialize in the graphic novel.

Here are their syllabi:

Prof Versaci has used this transcript of the Tennessee hearing on banning Art Spiegelman’s Maus from the curriculum.

One of Versaci’s students, an art major, was inspired to create this as a gift to his professor:

Prof. Gondor uses this page from Files on the Ceiling to illustrate how graphic novels can tell a story more effectively than film or novels:

Some titles mentioned in the episode:

Blankets, by Craig Thompson; Flies on the Ceiling by Gilbert and Jaime Hernandez; Hot Comb by Ebony FLowers; Kingdom Come by Mark Waid and Alex Ross; Mr. Miracle by Tom King and artist Mitch Gerads;100 Bullets by Brian Azzarello and Eduardo Risso; Fables by Bill Willingham; This One Summer by Mariko and Jillian Tamaki; Unflattening by Nick Sousanis; Alan Moore’s Swamp Thing series; Ms Marvel by G. Willard Wilson; Syllabus by Lynda Barry; and of course Maus by Art Spiegelman and Fun Home by Alison Bechdel.

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Today, we caught up with Rachel as she did last-minute prep for the August festival and then we took in the event itself, talking with artists and musicians and vendors and shoppers. For those of you who didn’t get to any of these summertime first Friday events – and, sorry to tell you, it’s too late for this year – it was an opportunity for artists and craftspeople to display and sell their wares on the wide sidewalks of Middletown’s wide main street, for performers to strut their stuff, and for visitors to discover and rediscover what a cool and creative community Middletown is.

This was the last installment of this year’s series about making Middletown more of an arts destination. Find the previous two — and last year’s — in the blog’s archives.

Images from the event

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Lee Godburn and Sandra Russo-Driska share what’s new in the arts. You can find listings at https://www.downtownmiddletown.com/ (The furry screen over the mic buffers the wind but is helpless against the noise of passing heavy trucks on Main Street! Part of the city’s charm?)

Today, in my continuing quest to make Middletown, CT, an arts destination, I offer a follow-up to last year’s three-part series on the subject. In that first stab at it, we heard from artists and local art leaders, plus the mayor, about what it would take to have a few art galleries along Main Street or, at the very least, art displays in some of the vacant storefronts there. People agreed that would be great but weren’t exactly optimistic. Apparently, for all its charms – a wide main street, a world-class university, a lovely river – Middletown lacks an important element; namely, a benefactor with deep pockets. Also, a populace of art-buyers.

So what to do?

As you’ll hear in this first episode of the new series, all is not lost, as creative stuff is happening. Sandra Russo-Driska, coordinator of the Downtown Business District, and Lee Godburn, chairman of the Middletown Arts Commission’s 50^th anniversary planning committee, recently met me downtown in the spacious alleyway next to BrewBakers on Main Street to catch me up on the latest developments in our mutual mission.

Mark your calendar, btw: the final First Friday arts fest of the year is on Sept. 2^nd.

In the next episode, on Aug. 28, we’ll hear again from the mayor, who, I was delighted to learn, has a few artistic pursuits of his own. And in the third installment, on Sept. 11, we’ll talk with the originator of Middletown Arts Fest, Rachel DeCavage, and take in August event, chatting along Main Street with vendors and visitors.

But first, let’s meet Sandra and Lee.

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The raw audio part 1

The raw audio part 2

Please don’t be jealous, all you lovers of art and Cape Cod, but a friend and I recently took part in an amazing four-day workshop, Sketching Provincetown, offered through the Provincetown Art Association and Museum.

The teacher, Aaron Thompson, was terrific; the small group of artists – just six of us — was congenial; and Provincetown was its usual Provincetown self! Mari and I took in a drag show – a first for me. It featured Cher, in quotemarks, and was so good, we wondered on the way out, “Was that really a man?” It was honestly hard to tell. We slurped down dollar oysters at a restaurant happy hour. We hit the beach one afternoon, allowing me to haul in quite a collection of sculptural shells and stones for artmaking.

But the very best part of the experience was the time spent drawing. What follows are some audio snapshots from the workshop. The other link is raw footage, for those — especially those in our group — who’d like a record of Aaron’s instruction.

I hope you’ll be inspired to start a sketchbook of your own. As Aaron pointed out, any old place that grabs you can be your subject, it doesn’t have to be Provincetown. But lucky you if it is!

Most of these are self-explanatory, but here’s some info about those that may not be. The 1st image is of our workshop leader Aaron Thompson. In the row below, that red photo slide is something he looks through to heighten the values. Next to that image is our group heading into the town library to draw on what was our only rainy morning. Had to snap a pic of that Open Studio sign! The photo under the Cher poster is of amazing P’town/Truro landscape painter Peter Hocking (@p.hocking), who was featured on the radio show, with my pal Mari. The penultimate photo is the interior of one group member’s waterfront summer place; she kindly invited us to paint on the beach the last day of the workshop. Another member provided a bowl of salt water taffy!

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‘This jar of marbles just beckoned to me.’ The center image, photos by Ben Michael, shows four views of a “Hybrid Caged-Cat’s Eye.” Find more of these close-up, back-lit beauties on Instagram at @bent-o-gram. The right-hand image is a contemporary model with dichroic glass. “There’s a lot going onl LIke if you were looking at a globe from outer space, with rainbow storms.”

Today, the marble – that little, swirly, colored round glass child’s toy you associate with, like, the ‘50s — as art. Ben Michael, who happens to be WESU’s general manager, and wears other hats, too, as you’ll hear, has lately become a marble aficionado – and more, a marble artist! And he’s far from alone but is part of a helpful, generous, mostly online, but also locally in person, community of marble-minded people. They always want to know: ‘What’s in your pocket?‘

Marbles. Who knew? My conversation with Ben — my first time in a long time in the actual studio! — overflowed the allotted hour. You can find the remainder at the “overflow audio” link above.

Also, check out Ben’s eclectic music show on WESU, “Keep It Movin'” He says, “Enough chatter! Put on another platter!” His choices often respond to events of the day. Find it on every 2nd and 4th Friday from 4:30 to 6:30 pm EST on WESU, 88.1 FM, and wesufm.org

One last thing before we get rolling, as it were: WESU is a community supported radio station that relies on the generosity of people like you, who won’t find programming like this anywhere else. It’s free form, folks! And it’s a labor of love by volunteers like me but it also costs money: money to keep the equipment going and the tiny staff paid. C’mon. You know it’s important. It’s not enough to love college radio. You’ve got to do what you can to keep it going. Please go to wesufm.org and do what you can. Thanks!