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Welcome to the first Open Studio episode of the new WESU-FM season!

Last September, I did an episode about the graphic novel featuring interviews with two professors who teach the form. Because there’s so much to the graphic novel — and because I’ll be teaching a course in it for the first time at the college where I teach, the University of Hartford’s Hillyer College, I thought we’d revisit the subject.

Graphic novels, for those unfamiliar with the term, take the comic book into the deep end of the pool. One graphic novel you may have heard of is Art Spiegelman’s Maus, set in Nazi Germany. Another is Alison Bechtel’s Fun Home, which was made into a Broadway musical.

As with last year’s guests, both of today’s, interviewed via Zoom, have developed creative approaches to reading, analyzing, and even creating graphic novels.

Prof Patrick Gonder, left, teaches at the College of Lake County in Illinois and Rocco Versaci teaches at Palomar College in California. Both specialize in the graphic novel.

Here are their syllabi:

Prof Versaci has used this transcript of the Tennessee hearing on banning Art Spiegelman’s Maus from the curriculum.

One of Versaci’s students, an art major, was inspired to create this as a gift to his professor:

Prof. Gondor uses this page from Files on the Ceiling to illustrate how graphic novels can tell a story more effectively than film or novels:

Some titles mentioned in the episode:

Blankets, by Craig Thompson; Flies on the Ceiling by Gilbert and Jaime Hernandez; Hot Comb by Ebony FLowers; Kingdom Come by Mark Waid and Alex Ross; Mr. Miracle by Tom King and artist Mitch Gerads;100 Bullets by Brian Azzarello and Eduardo Risso; Fables by Bill Willingham; This One Summer by Mariko and Jillian Tamaki; Unflattening by Nick Sousanis; Alan Moore’s Swamp Thing series; Ms Marvel by G. Willard Wilson; Syllabus by Lynda Barry; and of course Maus by Art Spiegelman and Fun Home by Alison Bechdel.

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Today, we caught up with Rachel as she did last-minute prep for the August festival and then we took in the event itself, talking with artists and musicians and vendors and shoppers. For those of you who didn’t get to any of these summertime first Friday events – and, sorry to tell you, it’s too late for this year – it was an opportunity for artists and craftspeople to display and sell their wares on the wide sidewalks of Middletown’s wide main street, for performers to strut their stuff, and for visitors to discover and rediscover what a cool and creative community Middletown is.

This was the last installment of this year’s series about making Middletown more of an arts destination. Find the previous two — and last year’s — in the blog’s archives.

Images from the event

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Lee Godburn and Sandra Russo-Driska share what’s new in the arts. You can find listings at https://www.downtownmiddletown.com/ (The furry screen over the mic buffers the wind but is helpless against the noise of passing heavy trucks on Main Street! Part of the city’s charm?)

Today, in my continuing quest to make Middletown, CT, an arts destination, I offer a follow-up to last year’s three-part series on the subject. In that first stab at it, we heard from artists and local art leaders, plus the mayor, about what it would take to have a few art galleries along Main Street or, at the very least, art displays in some of the vacant storefronts there. People agreed that would be great but weren’t exactly optimistic. Apparently, for all its charms – a wide main street, a world-class university, a lovely river – Middletown lacks an important element; namely, a benefactor with deep pockets. Also, a populace of art-buyers.

So what to do?

As you’ll hear in this first episode of the new series, all is not lost, as creative stuff is happening. Sandra Russo-Driska, coordinator of the Downtown Business District, and Lee Godburn, chairman of the Middletown Arts Commission’s 50^th anniversary planning committee, recently met me downtown in the spacious alleyway next to BrewBakers on Main Street to catch me up on the latest developments in our mutual mission.

Mark your calendar, btw: the final First Friday arts fest of the year is on Sept. 2^nd.

In the next episode, on Aug. 28, we’ll hear again from the mayor, who, I was delighted to learn, has a few artistic pursuits of his own. And in the third installment, on Sept. 11, we’ll talk with the originator of Middletown Arts Fest, Rachel DeCavage, and take in August event, chatting along Main Street with vendors and visitors.

But first, let’s meet Sandra and Lee.

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The raw audio part 1

The raw audio part 2

Please don’t be jealous, all you lovers of art and Cape Cod, but a friend and I recently took part in an amazing four-day workshop, Sketching Provincetown, offered through the Provincetown Art Association and Museum.

The teacher, Aaron Thompson, was terrific; the small group of artists – just six of us — was congenial; and Provincetown was its usual Provincetown self! Mari and I took in a drag show – a first for me. It featured Cher, in quotemarks, and was so good, we wondered on the way out, “Was that really a man?” It was honestly hard to tell. We slurped down dollar oysters at a restaurant happy hour. We hit the beach one afternoon, allowing me to haul in quite a collection of sculptural shells and stones for artmaking.

But the very best part of the experience was the time spent drawing. What follows are some audio snapshots from the workshop. The other link is raw footage, for those — especially those in our group — who’d like a record of Aaron’s instruction.

I hope you’ll be inspired to start a sketchbook of your own. As Aaron pointed out, any old place that grabs you can be your subject, it doesn’t have to be Provincetown. But lucky you if it is!

Most of these are self-explanatory, but here’s some info about those that may not be. The 1st image is of our workshop leader Aaron Thompson. In the row below, that red photo slide is something he looks through to heighten the values. Next to that image is our group heading into the town library to draw on what was our only rainy morning. Had to snap a pic of that Open Studio sign! The photo under the Cher poster is of amazing P’town/Truro landscape painter Peter Hocking (@p.hocking), who was featured on the radio show, with my pal Mari. The penultimate photo is the interior of one group member’s waterfront summer place; she kindly invited us to paint on the beach the last day of the workshop. Another member provided a bowl of salt water taffy!

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Listen to the overflow audio

‘This jar of marbles just beckoned to me.’ The center image, photos by Ben Michael, shows four views of a “Hybrid Caged-Cat’s Eye.” Find more of these close-up, back-lit beauties on Instagram at @bent-o-gram. The right-hand image is a contemporary model with dichroic glass. “There’s a lot going onl LIke if you were looking at a globe from outer space, with rainbow storms.”

Today, the marble – that little, swirly, colored round glass child’s toy you associate with, like, the ‘50s — as art. Ben Michael, who happens to be WESU’s general manager, and wears other hats, too, as you’ll hear, has lately become a marble aficionado – and more, a marble artist! And he’s far from alone but is part of a helpful, generous, mostly online, but also locally in person, community of marble-minded people. They always want to know: ‘What’s in your pocket?‘

Marbles. Who knew? My conversation with Ben — my first time in a long time in the actual studio! — overflowed the allotted hour. You can find the remainder at the “overflow audio” link above.

Also, check out Ben’s eclectic music show on WESU, “Keep It Movin'” He says, “Enough chatter! Put on another platter!” His choices often respond to events of the day. Find it on every 2nd and 4th Friday from 4:30 to 6:30 pm EST on WESU, 88.1 FM, and wesufm.org

One last thing before we get rolling, as it were: WESU is a community supported radio station that relies on the generosity of people like you, who won’t find programming like this anywhere else. It’s free form, folks! And it’s a labor of love by volunteers like me but it also costs money: money to keep the equipment going and the tiny staff paid. C’mon. You know it’s important. It’s not enough to love college radio. You’ve got to do what you can to keep it going. Please go to wesufm.org and do what you can. Thanks!

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So, here at Open Studio, we love art – art in galleries, art in museums, art in artist’s studios – but with summer just a little more than a week away, you know where we REALLY love art? You got it. Outdoors! Today’s episode is a leisurely stroll through West Hartford Center and Blue Back Square, where the West Hartford Art League and the town of West Hartford teamed up for a second year to beautify those white concrete barriers that are marking off the outdoor dining areas. It’s an inspired idea that makes so many people happy, especially the18 talented amateur and professional artists from near and far who competed for the pleasure of getting house paint all over themselves so passersby and diners could enjoy bright colors and remind themselves of the power of art. 

One last thing before we get strolling: WESU is a community supported radio station that relies on the generosity of people like you, who won’t find programming like this anywhere else. It’s free form, folks! Ian i’s a labor of love by volunteers like me but it also costs money: money to keep the equipment going and the tiny staff paid. C’mon. You know it’s important. It’s not enough to love college radio. You’ve got to do what you can to keep it going. Please go to wesufm.org and do what you can. Thanks! Okay, on to Blue Back square, then West Hartford Center. Enjoy!

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Tori Weston (@writergrrl76) then and now

Tori and I knew each other in the ‘90s when she was a Woonsocket, RI< high school student and I was her so-called mentor at the Providence Journal Bulletin, where I was a reporter. Tori is 46 now, living and working, and writing and making visual art, in Boston and she says creativity has been the key to surviving the trauma of having been raped by her stepfather on the eve of her 13^th birthday. Because abortion was safe and legal, she was able to rule out suicide. Art was also a lifeline. “How do people deal with their problems if they don’t have a creative outlet?” she wonders.

During the station breaks you’ll hear audio from a pro-choice rally in DC, one of many throughout the country last weekend, as women and men of conscience hit the streets to protest what, as of this writing, seems about to be the Supreme Court’s overturning of federal abortion protections.

Finally, I need you to know that WESU is in the midst of its spring pledge drive and could seriously use your help. Please go to wesufm.org/pledge and donate what you can to keep this kind of programming going. Thanks.

Some of Tori’s visual art:

Related links:

Risk Podcast episode #1

Risk podcast episode #2

Under the Gum Tree

Tori’s website:

www.ToriWestonWriterArtist.com

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Today, a walk through a monumental retrospective of the works of painter Milton Avery, whose career began in the late 19^th century and continued into the mid 20th, and included some years in Hartford. His flattened forms and unusual color work prompted comparisons to Matisse and he inspired such younger painters as Mark Rothko. We’re lucky that our companion on our tour is one of the curators of the traveling exhibit, Erin Monroe, the Krieble Curator of American Paintings and Sculpture at the WadsworthAtheneum. The show, having started its journey in Fort Worth, TX, will be up at the Wadsworth through June 5 before moving on to the Royal Academy of the Arts in London. As the Washington Post reviewer put it, the show is “a treat.”

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Today, an encore episode of last fall’s talk with Kenny Martin, a teacher and artist who lives on the edge. Not only do his high school students wield blowtorches to do metalwork, but Kenny’s hobby is undersea diving – while holding his breath. The images below are from an exhibit of his drawings based on his breath holding free dives that had a good run at Real Art Ways in Hartford. Oh, and Kenny’s also been a boxer, and most recently founded a Fight Club for teens; he’s convincing in making it sound therapeutic. Back when Kenny taught elementary school, he had his students bury tuna carcasses, a lesson in composting. So do I need to tell you Kenny’s an interesting guy? He says he also gives a great haircut.  This is the interview that convinced me I need to have more people from Brooklyn in my life. And btw, where else are you going to find conversations like this but on WESU? Please, during this spring pledge drive, do your part to support community radio by going to wesufm.org/pledge and giving what you can. Or I’ll have Kenny punch you in the nose.

Upper left, Ken with the first of his breath-hold-dive drawings, done from memory for artist Peter Waite’s “Monster Drawing” class in Wesleyan’s Graduate Liberal Study Program several years ago.

Below, two views of the art cart Ken, then a K-5 teacher, created when he lost his classroom. It was paid for in part with crowd-funding.

At the Clark Art Institute, Williamstown, MA thru May 30

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Art about war. Weirdly coincidentally, the Clark Art Institute in the Berkshires was in the process of putting together an exhibit on that very subject when, boom, Russia invaded Ukraine. And so it is that the show, “As They Saw It: Artists Witnessing War,” on view, appropriately, through Memorial Day, packs an extra emotional punch. It’s an exhibit of prints, drawings, and photographs of conflicts going back four centuries, all of them from the Clark’s permanent collection, works by such heavy hitters as Degas, Manet, and Goya, and many less familiar names whose work is no less powerful. I saw it a week ago and certain images still stick in my mind. We visit with curator Anne Leonard.

A selection of images from the show:

Top row: Pierre-Georges Jeanniot, The Survivors of a Massacre Used as Gravediggers (1915); Auguste Raffet, Military Uniform Study, Artillery (1837)

2nd row: After Winslow Homer, The War for the Union, 1862, A Cavalry Charge; Nicolas-Toussaint Charlet, A French Soldier of the Ancien Regime, 1842

3rd row: Hieronymus Hopfer, After Raphael, Combat of Cavaliers and Foot Soldiers, 1520-50; top right: Theophile Alexandre Steinlen, East Wind, 1916; bottom right: Goya, Que valor! (What valor!) from The Disasters of War, 1810-20

4th row: Goya, Yo Lo Vie (I Saw It) from The Disasters of War, 1810-20; Unknown, Portrait of a Civil War Veteran Wearing a Grand Army of the Republic Medal, 1866-70

Goya’s complete The Disasters of War portfolio and other images from the exhibition can be found here.