Molested at 10, raped at 13, at least there was legal abortion

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Tori Weston (@writergrrl76) then and now

Tori and I knew each other in the ‘90s when she was a Woonsocket, RI< high school student and I was her so-called mentor at the Providence Journal Bulletin, where I was a reporter. Tori is 46 now, living and working, and writing and making visual art, in Boston and she says creativity has been the key to surviving the trauma of having been raped by her stepfather on the eve of her 13th birthday. Because abortion was safe and legal, she was able to rule out suicide. Art was also a lifeline. “How do people deal with their problems if they don’t have a creative outlet?” she wonders.

During the station breaks you’ll hear audio from a pro-choice rally in DC, one of many throughout the country last weekend, as women and men of conscience hit the streets to protest what, as of this writing, seems about to be the Supreme Court’s overturning of federal abortion protections.

Finally, I need you to know that WESU is in the midst of its spring pledge drive and could seriously use your help. Please go to wesufm.org/pledge and donate what you can to keep this kind of programming going. Thanks.

Some of Tori’s visual art:

Related links:

Risk Podcast episode #1

Risk podcast episode #2

Under the Gum Tree

Tori’s website:

www.ToriWestonWriterArtist.com

Milton Avery at the Wadsworth Atheneum: a walk & talk with the curator

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Today, a walk through a monumental retrospective of the works of painter Milton Avery, whose career began in the late 19th century and continued into the mid 20th, and included some years in Hartford. His flattened forms and unusual color work prompted comparisons to Matisse and he inspired such younger painters as Mark Rothko. We’re lucky that our companion on our tour is one of the curators of the traveling exhibit, Erin Monroe, the Krieble Curator of American Paintings and Sculpture at the WadsworthAtheneum. The show, having started its journey in Fort Worth, TX, will be up at the Wadsworth through June 5 before moving on to the Royal Academy of the Arts in London. As the Washington Post reviewer put it, the show is “a treat.”

‘Just me and the wreck’ — a deep dive into the art of breath-hold diver Kenny Martin

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Today, an encore episode of last fall’s talk with Kenny Martin, a teacher and artist who lives on the edge. Not only do his high school students wield blowtorches to do metalwork, but Kenny’s hobby is undersea diving – while holding his breath. The images below are from an exhibit of his drawings based on his breath holding free dives that had a good run at Real Art Ways in Hartford. Oh, and Kenny’s also been a boxer, and most recently founded a Fight Club for teens; he’s convincing in making it sound therapeutic. Back when Kenny taught elementary school, he had his students bury tuna carcasses, a lesson in composting. So do I need to tell you Kenny’s an interesting guy? He says he also gives a great haircut.  This is the interview that convinced me I need to have more people from Brooklyn in my life. And btw, where else are you going to find conversations like this but on WESU? Please, during this spring pledge drive, do your part to support community radio by going to wesufm.org/pledge and giving what you can. Or I’ll have Kenny punch you in the nose.

Upper left, Ken with the first of his breath-hold-dive drawings, done from memory for artist Peter Waite’s “Monster Drawing” class in Wesleyan’s Graduate Liberal Study Program several years ago.

Below, two views of the art cart Ken, then a K-5 teacher, created when he lost his classroom. It was paid for in part with crowd-funding.

‘As They Saw It — Artists Witnessing War’

At the Clark Art Institute, Williamstown, MA thru May 30

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Art about war. Weirdly coincidentally, the Clark Art Institute in the Berkshires was in the process of putting together an exhibit on that very subject when, boom, Russia invaded Ukraine. And so it is that the show, “As They Saw It: Artists Witnessing War,” on view, appropriately, through Memorial Day, packs an extra emotional punch. It’s an exhibit of prints, drawings, and photographs of conflicts going back four centuries, all of them from the Clark’s permanent collection, works by such heavy hitters as Degas, Manet, and Goya, and many less familiar names whose work is no less powerful. I saw it a week ago and certain images still stick in my mind. We visit with curator Anne Leonard.

A selection of images from the show:

Top row: Pierre-Georges Jeanniot, The Survivors of a Massacre Used as Gravediggers (1915); Auguste Raffet, Military Uniform Study, Artillery (1837)

2nd row: After Winslow Homer, The War for the Union, 1862, A Cavalry Charge; Nicolas-Toussaint Charlet, A French Soldier of the Ancien Regime, 1842

3rd row: Hieronymus Hopfer, After Raphael, Combat of Cavaliers and Foot Soldiers, 1520-50; top right: Theophile Alexandre Steinlen, East Wind, 1916; bottom right: Goya, Que valor! (What valor!) from The Disasters of War, 1810-20

4th row: Goya, Yo Lo Vie (I Saw It) from The Disasters of War, 1810-20; Unknown, Portrait of a Civil War Veteran Wearing a Grand Army of the Republic Medal, 1866-70

Goya’s complete The Disasters of War portfolio and other images from the exhibition can be found here.

Portrait of the Artist as a Young Birder: View the Photos as You Listen

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Today, a celebration of spring. We’re being treated to a screenshot by screenshot portrait of the artist as a young birder. Jenny Kroik is a freelance painter,  illustrator, conservationist, and, most recently, a fundraiser for humanitarian aid to Ukraine whose work appears in The New Yorker. She was the recent guest of the CT Audubon Society, which allowed us to record Jenny’s episode of its Young, Gifted and Wild About Birds Zoom webinar, in which Jenny traces her development as a birder through her art. She opens up her ever-handy sketchbook for us and tells anecdotes from her birding life, near and far, observing the several the ways art making is not that much different from birdwatching. She answers questions about her painting techniques as she treats us to a demo. It’s a fun hour with a lively guide who – probably like you – loves art and Nature. Find Jenny @jkroik and jennykroik.com.

Patrick Comins, exec dir of the CT Audubon Society, starting the webinar over Zoom.
Jenny Kroik, artist and birder
Jenny’s first New Yorker cover, based on a shopper at NYC’s Strand Bookstore
Two subsequent covers
People watching and bird watching have a lot in common
Birding during the pandemic
A friend turned Jenny onto birding
Jenny’s first birding trip, Cape May, NJ
Jenny’s caption says it all
Can anybody guess what bird this is? (Answer at end)
Jenny tries to capture animals’ attitudes
Fluffed up in a rainy Fort Tryon Park in NYC. Can you guess what this is? (Answer at end)
Capturing movement, “trying to get good at terns”
Having fallen in love with birds at NYC’s Museum of Natural History, got the urge to travel

A Red-Winged Blackbird, singing

So many sparrows! Jenny imagines a new one.
The famous Barred Owl who lived in Central Park
In real life
Sketching on site to memorize shapes and habitats
Jenny uses a brush pen and a few colors when working outdoors; she keeps a few Sharpies on her at all times
Noticing details around her subject, whether sketching birds or people
..
From a trip to Boston. She drew in the hotel afterward.
From a Cape May trip. Can you find the mistake? (Answer at end.)
Jenny’s mom
Jenny’s dad
Jenny’s pal, Jen, who introduced Jenny to NYC’s Wild Bird Fund
Rita is the director. @wildbirdfund
Jenny’s work in the gallery there; a bird pooped on one of the works, which Jenny took as a sign of its approval
Jenny’s workspace
Some of Jenny’s “Future Birds” for The New Yorker
Can anyone guess this bird from a few lines?
Yes, a Short-Eared Owl
Jenny’s take on the Bernie meme
A glimpse at Jenny’s phone
An owl Jenny visits in NY’s Inwood Park. She makes up whimsical poems to soothe herself when she walks in scary parks.
A view of Jenny’s desk as she starts a demo

A sketch of a Snowy Egret in NJ. Jenny starts with a penline to keep from getting too obsessed with details

Jenny chooses a Mistle Thrush to draw
She doesn’t sell paintings she makes from other people’s photos, such as those on eBird, only those from ones she made herself.
Often, she’ll neglect to leave enough room for the tail, so she simply attaches a piece of paper.
She often uses gouache, an opaque watercolor that she can layer additional coats onto.

Waiting for the paint to dry, she starts another one.

She paints on hot press watercolor paper, which is smoother than cold press. This is the start of a widgeon.

Birding and making art both require patience.
She adds “all the supernice details” after the paint’s dried. Also, the background.

Thank you!

[Answers to questions, top to bottom: Longtail Duck, Baltimore Oriole, Coot, Short-Eared Owl]

Outermost Artists Living and Working on Cape Cod

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OMG. Painting and Cape Cod. I hope I never have to choose between them, both are such soul food for me. Today I’m honored that my guests are two Cape Cod painters whose work I’ve been following for some years,  Peter Hocking and Helen Grimm. Each lives in Truro and is represented by the Four Eleven Gallery on Commercial Street in Provincetown, a gallery which, as you’ll hear, has deep roots in the town’s storied history of supporting art and artists. Both Peter and Helen paint landscapes – in Helen’s case, also seascapes and what she calls shellscapes; when you visit the openstudioradio.org blog, you’ll understand. In our conversation, we got deep into the dunes, as it were, about what it’s like to live on the Cape in all seasons, about why they don’t paint people,  and about just what it is that inspires them about the Cape. Talk about soul food. You’re going to totally love these two.

http://www.petehocking.com

@p.hocking.com

http:www.helengrimm.com

@helengrimmcom

https://fourelevengallery.com

Visions of Christ in Art

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Today, the face of Jesus. Author and previous radio show guest Bob Hudson has written a new book –  one which won a rave review in the New Yorker, by the way. The book, Seeing Jesus: Visionary Encounters from the First Century to the Present, considers one of the most depicted subjects in art: the face of Jesus. Here on Open Studio, we’re most interested in those visions that resulted in works of art. With another of my favorite radio guests, medievalist art historian Fran Altvater, we take up the face of Jesus in art.

Read the The New Yorker review.

Seeing Jesus author Bob Hudson and University of Hartford art historian Fran Altvater consider the imagined and envisioned Christ.

DISCUSSED IN THE EPISODE:

Clockwise from upper left: Aaron Douglas’s The Crucifixion; Andrea Mantegna’s The Dead Christ; Hildegard of Bingen’s vision of the Trinity; St. John of the Cross’s sketch of the Crucifixion; William Blake’s Christ Nailed to the Cross: The Third Hour; Maria Rubio with the Jesus tortilla

Life After Art School: An Update

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Listen to last year’s episode

One year later, how are those art school grads I interviewed doing? Well, bottom line: art isn’t easy. Since graduation, each of our five artists have surfed some steep ups and downs – the ups including one new baby, one nearly completed teaching certification, one sidestreet into musicmaking, a string of creative jobs, some exhibited or about to be exhibited work, and one domestic situation that has the artist so content, she wishes she had some strife to paint about. As for the downs , those include bouts of the blues bordering on depression, creative dry spells, dictatorial corporate bosses, lack of studio space, financial hardship, a love/hate (mostly hate) relationship with social media, but  what’re ya gonna do, it’s here to stay, and finally, precious little time for serious art making. Speaking of time, the five artists’ day jobs had them so busy, I couldn’t corral all of them into one conversation. I had to do them in three batches! We’ll hear first from that future teacher, Caroline Hehir, the happiest of the lot. Then from Lori Fogg together with Ethan Newman, who turned out to have a lot of complaints in common. And finally, Trae Brooks with Julian Allen, who offered some perspective and encouraging words. You can find photos of the five artists and their recent work at the openstudioradio,org blog, along with a link to last year’s interview. If you’re like me, you’ll appreciate how determined they young artists are to stay true to themselves. Below is a sampling of work the artists provided:

JULIAN ALLEN

TRAE BROOKS

LORI FOGG

CAROLINE HEHIR

… AND FROM HER IPAD

ETHAN NEWMAN

Again, we ask: Is There Life After Art School?

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Today: An encore episode of Open Studio. Last January, I interviewed five artists about whether there is life after art school. I’m rerunning that show now so that, when I check in with them again for the Feb. 13th episode, you’ll have a sense of what’s changed. In our first Zoom chat, artist Lori Fogg, who’d suggested the episode,  wondered – given that she was in so much student debt – whether the American Dream forever will be inaccessible to her. The full freight of tuition, room, board, and other fees at Hartford Art School hovers around $60,000. When Lori contemplated her future, she started to rethink what she thought she wants. She asked herself, is the American Dream even really her dream or just an idea she’s been sold? Among all five artists’ other questions were: should they continue to paint out of their personal histories, or choose more marketable subjects? Is Instagram all it’s cracked up to be or32222 are the old-timey methods of finding community better? What does it mean to be an artist apart from competing for blue-chip gallery representation and eventual fame? What do they do when they’re creatively stuck? These are just some of the topics our alums will plumb in this freeform conversation. Not all of the featured alums knew one another when we recorded the episode, and yet, as you’ll hear, in the brief space of our hour together, they formed a lovely bond. I’m sure you’ll agree: the kids will be all right.

I’d like to take this opportunity to thank those of you who contributed to WESU’s successful fall/winter pledge drive. It was a nail biter but we got there. If you helped, I place my palms together and bow in gratitude. You understand how this crazy set-up works: that it’s you who put the community in community radio. Thank you for getting that. With its mission to air music and views that are rarely heard anywhere else, WESU is a healthy antidote to commercial media and needed now more than ever. Again, thank you.

 Finally, I’d like to raise a belated toast to your health and happiness in this long-anticipated fresh New Year. Please, let’s continue to take care of ourselves and one another by wearing masks, washing our hands frequently, and social distancing. Here’s to life – and vaccinations!

As life continues to unfold in its crazy way, I intend to paint, go for long walks, vent with friends, and remind myself that better days are coming. Keep breathing, folks. Together, we’ll get through this.

Back after this message with our encore broadcast of a visit with artists Julian Allen, Trae Brooks, Lori Fogg, Caroline Hehir, and Ethan Newman.

JULIAN ALLEN

TRAE BROOKS

LORI FOGG

CAROLINE HEHIR

ETHAN NEWMAN

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THANK YOU TO THOSE OF YOU WHO DONATED TO WESU’S SUCCESSFUL PLEDGE DRIVE!! IT’S YOU WHO PUT THE COMMUNITY IN COMMUNITY RADIO! 

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NEXT SHOW, FEB. 13 We check back in with our five artists!

Creative freedom and wisdom accompany…

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Today, in our first episode of 2022, a reminder that it’s never too late to start something new, including art-making! My two guests, Nancy Jensen, 76, and Rosemary Molloy, 83, tell how, though their interest in art was thwarted in their youth, that interest has lately been bearing fruit in their senior years as they draw, paint, make collages, and generally express themselves creatively however they darn well please! I know you’ll find them as inspiring as I did. And speaking of inspirations, I’d like to thank those of you who donated to WESU’s recent pledge drive. We made our goal with dollars to spare! Clearly you get it – that it’s listeners like you who put the community in community radio! If you didn’t get around to giving and want to show the station some love for creating a space for this kind of unusual programming, you still can. Just go to wesufm.org/pledge. Thanks! Now let’s hear my Zoom chat with Nan and Ro, whose artwork can be seen below.

Rosemary Molloy’s art

Nancy Jensen’s art